The “PLA” series by Adamau deconstructs contemporary notions of childhood through the lens of hyper-surveillance and technological oversight, where care is transformed into a mechanism of systemic control. The repetitive imagery of infants confined to car seats embodies the loss of subjectivity and autonomy in a context where safety becomes an absolute, suppressing the potential for authentic existence.
The “Agro” series explores the concepts of “belonging” and protection, questioning who truly deserves safeguarding and who becomes excluded in the process of reinforcing national borders. This work illustrates how rigid boundaries, erected for protection, can become symbols of division and humanitarian decline, reflecting not only physical barriers but also metaphorical fractures in the fabric of human solidarity. “Agro” offers a perspective on the migration crisis at the Poland-Belarus border, highlighting the fragility and vulnerability of human life under the pressure of global geopolitical forces.
Cross in the interior /
2021-2022
2021-2022
The “Cross in the Interior” project reinterprets the sacred symbol of the cross by integrating it into everyday life. In this context, the cross loses its traditional religious significance and becomes a multifunctional piece of furniture, used in various domestic settings. The project invites reflection on how symbols transform their meaning when they become part of ordinary spaces and daily interactions.
Menstrual cups. Prototypes / 2022
The "Menstrual Cups" project breaks the taboo surrounding female physiology by transforming menstrual cups from intimate objects into open symbols of femininity. Displayed publicly, these items challenge religious and social stereotypes that have historically framed menstruation as something forbidden and impure. The work emphasizes the need to reconsider religious and cultural taboos associated with the female body, encouraging open dialogue about natural processes that are often kept in the shadows.