The project explores the figure of the “HYPERREALISTIC MOTHER” as a biopolitical interface through which the system governs vulnerability. She emerges as a dense field of closeness and intimacy, where differences are smoothed out and the possibility of detachment disappears. In the installations and texts, the mother is presented as a dispersed fantasy of care — atmospheric, enveloping, yet depriving of distinction and escape. The works focus on bodies as surfaces of application: flexible, accessible, manageable, where care manifests as a form of power and control.